In August 2017, over a thousand neo-Nazis, fascists, Klan members, and neo-Confederates descended on a small southern city to protest the pending removal of a statue of Robert E. Lee. Within an hour of their arrival, the city’s historic downtown was a scene of bedlam as armored far-right cadres battled activists in the streets. Before the weekend was over, a neo-Nazi had driven a car into a throng of counter-protesters, killing a young woman and injuring dozens.
Pulitzer Prize finalist Deborah Baker has written a riveting and panoptic account of what unfolded that weekend, focusing less on the rally’s far-right leaders than on the story of the city itself. University, local, and state officials, including law enforcement, were unable or unwilling to grasp the gathering threat. Clergy, activists, and organizers from all walks of life saw more clearly what was coming and, at great personal risk, worked to warn and defend their city.
To understand why their warnings fell on deaf ears, Baker does a deep dive into American history. In her research she discovers an uncannily similar event that took place decades before when an emissary of the poet and fascist Ezra Pound arrived in Charlottesville intending to start a race war. In Charlottesville, Baker shows how a city more associated with Thomas Jefferson than civil unrest became a flashpoint in a continuing struggle over a nation’s founding myths.
Born in Charlottesville, Deborah Baker grew up in Virginia, Puerto Rico and New England. In 1990 she moved to Calcutta where she wrote In Extremis, a biography of the American modernist poet, Laura Riding which was shortlisted for the Pulitzer Prize in biography. A Blue Hand: The Beats in India (2008) explored the imaginative relationship between India and America as seen through the Indian travels of Allen Ginsberg et al in the early 60s. In 2008-2009 she was a Fellow at the Dorothy and Lewis C. Cullman Center for Writers and Scholars at The New York Public Library. There she researched and wrote The Convert: A Tale of Exile and Extremism (2011), a narrative account of the life of an American convert to Islam, drawing on letters she found in the library's manuscript division. The Convert was a finalist for the National Book Award.